Showing posts with label philadelphia. Show all posts
Showing posts with label philadelphia. Show all posts

COUTURE FOR REAL LIFE: Nino Brand by Bela Shehu


    It's fun to dish about Oscar dresses and swoon over couture confections.  But the true holy grail in fashion is finding clothes that fit well, function better, look good all day, don't cost a fortune--and wont' be seen on every other woman walking down the street.  What I'm looking for is just what Bela Shehu's created with her new Nino Brand.

    On the rack, Bela's collection has the simple, unadorned lines that have always appealed to me.  Pockets hide in seams, plackets cover buttons, nothing interferes with the clean line.  On the body, these deceptively simple cuts flatter in a way you would think required all kinds of fancy tricks.  But no.  "In my clothes, there's no ruching, no gathering," says Bela.  "It's all in the cut.  Fabric--whether wool, silk, jersey--has a certain way it wants to drape. We'll take a trapezoid shape--looks like nothing when it's flat.  By shifting the neckline we redistribute the weight.  When you put it on, it comes to life."

    The dress fits, it flatters, it moves with you.  And then, you forget about it and go on with your life.

    For years Bela has ghost designed for top names in the wardrobe world.  One morning in bed she started writing out ideas for this new kind of look, based on flat pattern making.  And she's launching it in a new kind of way.  No boutique, as she did in the past.  No mainstream advertising. She's approaching a few exclusive stores, showing at trunk shows, growing through word of mouth. And best of all, Style Maniac readers, she's offering the line through Private Appointments in her studio or a Private Event in your home, for a significant discount off the retail price.  Which means this is actually couture you can put in your closet.

    "What I'm building here is a heritage brand.  Forward thinking, but classic.  Timeless, well-constructed pieces that you can wear years from now," says Bela.

    Clothes so well done, "they make you forget what you're wearing."


    To schedule Private Appointments in the South Philadelphia studio or Trunk Shows in your home contact  
    Nino Brand at 267-496-5208.  
    More on the Nino Brand Facebook Page.



    Top photo by Patrick Ibanez.  Bottom photo via Nino Brand Facebook Page.  All other photos by Doreen Creede. Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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BEHIND THE CURTAIN with The Pennsylvania Ballet

    Pennsylvania Ballet principal dancers Zachary Hench and Riolama Lorenzo in Christopher Wheeldon's Swan Lake. (photo: Paul Kolnik)
    We sit in the audience, and the show onstage enthralls us:  the swirl of costumes, the pulsating music, the mystery of lighting in the darkness of the theater.  Astounding moves look effortless and dancers seem to float on air.  A world of fairy tales and feathers and thwarted romance unfolds and we are transported.

    Ah, but what drama unfolds behind the curtain?

    Perhaps I’ve seen too many movies, because what I expected was not at all what I found when I got to peek into the studios of one of the world’s premiere ballet companies, The Pennsylvania Ballet.

    TOP: Principal dancer Arantxa Ochoa. MIDDLE: Arantxa with soloist Francis Veyette and (2nd row) soloist Barette Vance with corps de ballet dancer Andre Vytoptov. Artists of The Pennsylvania Ballet. (photos: Alexander Iziliaev)  BOTTOM: Soloist James Ihde in rehearsal with corps de ballet dancer Evelyn Kocak and onstage with principal dancer Riolama Lorenzo in Jerome Robbins' In The Night. (left photo: Doreen Creede / right photo: Paul Kolnik).

    My first surprise was the athleticism behind the artistry.  Up close, in the bright lights of the rehearsal studio, you see the sweat streaming down Barette Vance’s smiling face as she flits through Balanchine; feel the reverberation of Francis Veyette’s muscled legs pounding into the floor, with the thinnest slipper as “protection;” wince as James Ihde’s rippling arms swoop a sitting Evelyn Kocak straight over his head, as if she weighs no more than a pillow.  You think back to that awkward ballet class you took at the age of six, and realize that for every million little girls who dream of being a ballerina, perhaps one actually makes it her career.  Or to put it in terms my husband would relate to: this is the NFL of the dance world.

    My next surprise was what I didn’t see:  No drama.  No divas.

    During rehearsal, when a “take” [my word] didn’t work, the ballet mistress and dancers had a calm, collaborative discussion.  At a reception after an In-Studio Show, dancers ranging from veteran principals to new young corps de ballet members got along as though a happy family and made us visitors feel like welcome friends.

    Perhaps the camaraderie is because company dancers spend more time together than most families, training nine hours a day, five days a week, 10 months a year.  Or perhaps it’s that a quarter of the company literally is family:  three couples in the Pennsylvania Ballet are married, one engaged.

    But I think it’s something else.  I think it’s the joy that comes from making a living by every day doing the thing you truly love. The positive energy in those unadorned rehearsal rooms--lined with storage boxes, lights glaring overhead--was simply infectious.

    (photo by Alexander Iziliaev)

    AT THE MOVIES: The Black Swan Connection
    Given the hype, you probably think the movie Black Swan inspired this post.  In fact, it was a letter from my friend Janis Goodman, chair of the board of trustees, that piqued my interest.  Not until later did I discover that 14 of The Pennsylvania Ballet’s dancers appeared in the movie and that the Company will perform Swan Lake this March, followed in April by the premiere of a new work by Benjamin Millepied, Black Swan’s choreographer and Natalie Portman’s fiancé.

    ONSTAGE: The Pennsylvania Ballet's Spring 2011 Season
    (Unbelievably, tickets start at just $20.)

    February 3-6  Classic Innovations
    (includes: The Vertiginous Thrill of Exactitude; Polyphonia; In The Upper Room)

    March 3-13  Swan Lake

    April 14-17  Building On Balanchine
    (includes: Agon; a yet-to-be-named world premiere by Benjamin Millepied; and Who Cares?)

    June 2-11  La Fille Mal Gardee

    Artistic Director: Roy Kaiser  |  paballet.org  | 215-893-1955


    BEHIND THE LENS
    The contrast of Paul Kolnik’s flawless performance pictures and the natural beauty of Alexander Iziliaev’s studio shots completely captivated me.  Then came my third surprise of this post: photography is a hobby for Alexander.  His longtime "day job" is principal dancer with The Pennsylvania Ballet.  

    That's him, at left, in Balanchine's Agon.  Talk about talented!
    (Alexander's photo by ... you guessed it ... Paul Kolnik) Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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BEHIND THE SCENES: Kevin O'Brien Studio


    Have you ever looked at a drop-dead gorgeous fabric and wondered how it came to be? From the moment I met the burnt-out silk artistry of a Kevin O'Brien Studio scarf I tried to imagine how that complex pattern and iridescent shimmer could possibly be achieved.  Ten years later, I still delight in the lush texture and ever-changing color of the scarves I've snagged over the years at KOB Studio's holiday sales in their Old City, Philadelphia workroom.  So when I came upon their booth at last month's High Point Market, I felt like I was meeting an old friend, now grown up and expanded into pillows, bedding, rugs and very soon upholstery.  And it occured to me:  why not ask if I could take Style Maniac readers (and myself!) on a behind-the-scenes tour of the studio that supplies luxury goods to Neiman-Marcus, ABC Carpet & Home and Antrhropologie?


    "Sure," was the quick and easy answer.  And despite it being Thanksgiving week--and the heart of the retail season--Kevin O'Brien personally greeted me, chatted over coffee at a table piled with luscious velvets and then gave me a tour of the studio.  A trained architect, accomplished painter and successful entrepreneur in a tough retail niche, Kevin's so talented the words "Renaissance man" come to mind--except that he's so easy-going and down to earth that would give you the wrong impression.  When asked how his studio has survived and thrived, he gives the credit to his staff, a tight and loyal group of mostly women, who chimed in often during our tour.  "The best parts of this job," Kevin told me, "are designing ... and being their 'boss.'"


    The designs--medallions, twirling vines, snakeskin, woodgrain--begin in Kevin's head.  They are then transferred to a computer for refinement and to work out various colorways.  Despite the kaleidoscope of finished colors, fabrics all start out the same way:  as solid white velvet.  A screen print and acid process erases away parts of the velvet to create the various patterns.  Color comes from non-toxic dyes sprayed on one at a time using a myriad of recipes and techniques developed over the years.  A steamer sets the dye, fabrics are rinsed in a large sink and then put in a regular old washing machine for a final rinse (the part of the process that surprised me the most).


    From there the glimmering fabrics take on life as pillows, duvet covers, throws (and still some scarves) destined for high-end retail stores, custom designer projects ... and lucky homes. (This year select items will also be sold at holiday pop-up stores and sample sales in Philadelphia and New York.)  Pillows retail for $100 to $400.  Pricey for a pillow, perhaps ... but not for a work of art.


    Kevin O'Brien Studio
    www.kevinobrienstudio.com   215-923-6378
    Year-round boutique at ABC Carpet & Home, New York City.   
    Pop-up holiday shops & sample sales at these locations:

    Kevin O'Brien Studio Shop 
    Annual Holiday Sample Sale offering scarves, pillows, robes, bedding, fabric, stuffed animals and more. Up to 75% off retail.  Through December.  8428 Germantown Ave, Philadelphia, PA 19118  215-923-6378

     

    Echo Of The Dreamer Holiday Sample Sale 
    Handmade jewelry plus Kevin O'Brien wares.  Through December 18, 2010.
    242 West 30th St., 14th Floor, NYC 10001  212-594-8022  www.echoofthedreamer.com

    Kevin O’Brien Collection at the Philadelphia Museum of Art Store 

    Up to 30% off retail.  Through January 3, 2010.  215-684-7960  www.philamuseum.org

    Stacked bedding, closet and blue pillow collection images courtesy Kevin O'Brien Studio.  All other photos by Doreen Creede.Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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ONLINE ART SHOW: Patricia Burns

    I discovered Patricia Burns twice--in one week.  First, while working on a client project, a store owner (who happens to be her neighbor) recommended her art.  Then, a few days later, a friend invited me to a show at Muse Gallery where, it turns out, Patricia was the featured artist.  That kind of coincidence is simply meant to be.

    While I found them pretty when viewed online, in person her paintings positively pulsate with rich, vibrant color palettes ranging from Blues to Bubble Gum. [#2 & #4 above]  "I paint purely from the passion of the paint, the moment and my guts," says Patricia.  "Whatever happens in my life inspires my paintings. Family, friends, romance, world events, adventure are all tucked in there.  My personal emotions are in each painting and I can tell what I was feeling in each one. They are never the same."

    "I don't have any plan in mind when I start," she adds.  "Sometimes I think the painting paints itself and names itself too!"

    After confirming that Patrica Burns' mysterious midnight blue Nights In White Satin would indeed be the perfect counterpoint to my client's neutral color scheme, I found plenty of art I'd love to have in my own home.  In particular a red piece bursting with energy and happiness for my sunny second-floor loft.  Or perhaps one day, in the beach house of my dreams, a collection of her works hung on soft white walls, with rustic ebony floors, giant cushy sofas, a long table with bright and funky unmatched chairs ... and not much else.


    Patricia Burns is an artist, filmmaker and, yes, a Moody Blues fan.  
    To see more of her work visit www.patriciaburnsartist.com 
    or contact her at pfburns@comcast.net
    phone: 610-649-1748
    Muse is an artist-run gallery in Old City, Philadelphia.


    All images courtesy Patrica BurnsSource URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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FEATHERS & FELT ... hat sculpted by Tino Fonzarelli


    While shopping for a decorating client, I discovered my salesman extraordinaire has another life as what I thought of as a couture milliner ... until he described it so much more poetically as a sculptor of felt.  Tino Fonzarelli's timeless-with-an-edge styles have graced runways and celebrity heads, including Charlize Theron, Naomi Watts and Marilyn Manson.  Formerly of Los Angeles, he now runs his business from Philadelphia. We're working on a behind-the-scenes peek at his studio and newest collection, but I simply couldn't wait to post this shot, the perfect addition to our fall fashion mix. Those lush and fiery feathers against that tactile wool felt and silky veiling ... a standout on its own yet a chic complement to the entire look ... and simply stunning.

    Tino Fonzarelli hat, as seen on Coco Kliks' runway show.  Contact Tino at 267-909-8188 or Spaceageguy@yahoo.com. Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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PICASSO AND THE AVANT-GARDE IN PARIS ... IN PHILADELPHIA

    Stroll, run, drive--just get to the Philadelphia Museum of Art before May 2nd and experience the amazing Picasso & The Avant-Garde In Paris. (And if you can't, read this.) Well worth the long lines, as the very first gallery brings to vivid life that amazing moment in time when Picasso deconstructed classical painting and created something completely new:  what we now call Modern Art.  The small 1907 work Five Nudes (Study for "Les Demoiselles d'Avignon"), above, and another small study for Lysistrata--which Picasso did blindfolded!--along with colorful, swirling oils by Arthur Beecher Carles, were my personal favorites in the vast exhibit of 214 pieces by avant-garde artists who worked, drank and collaborated in Paris during the opening decades of the twentieth century--and changed the world of art forever.Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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WE'LL STROLL THE SCHUYLKILL INSTEAD OF THE SEINE

    On  a trip to Paris celebrating Le Divorce of a friend, four of us girls strolled along the Seine one evening at twilight. As if by magic, just as we approached a bridge or monument it lit up, as though the City of Lights were illuminating in a private show just for us.

    I never imagined that sense of wonder and delight could be replicated in Philadelphia. But it was, during a late afternoon stroll last summer along Schuylkill Banks, where one panorama after another unfolded before us.  Our journey began in the heart of the city, beside once litter-strewn old train tracks, and as we wandered the path rose, bridges soared overhead, stone cliffs grazed our arms.  We paused at the restored Waterworks, now a restaurant, and took in the sublime views of the Art Museum and city on one side--and on the other, the path to Boathouse Row, with lush green trees dipping into the water.

    Along the way we passed jogger and bikers on the path; and kayakers and rowers on the water. Young couples spread out blankets for romantic picnics; groups of friends met for movie night on the sloping banks; a cocktail cruise boat even passed us by, just as in Paris.

    And as we left the park, in the gathering dusk, the bridges spanning the water began to light up.


    The Schuylkill River Development Corporation is a public/private partnership that led the transformation of a section of tangled and trash-strewn river banks into a vibrant urban oasis.  For more info on the Banks, including a new pedestrian bridge and boardwalk, plus a schedule of events, visit SchuylkillBanks.org.  Eventually, as part of the Schuylkill River Trail, the path we wandered should continue along 67 waterfront miles connecting three urban and suburban counties. 

    "Market Street Bridge At Night"  courtesy Christopher Woods (chrisinphilly5448 on Flickr).  All other photos by Doreen Creede.
    Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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BURGER FRITES

    Yes, the classic French bistro dish is Steak Frites.  But who can afford to eat that out these days?  At Union Trust Steakhouse in Philadelphia, steak options average 40 or 50 bucks--without the sides.  During weeknight Happy Hour in the dramatic and glowing upstairs bar, however, you can get a prime burger and perfect fries for $7.  Plus drink specials, $1 oysters, a dazzling view of the restored former bank with its soaring 65-foot purple medallion ceiling and impeccable service.

    Similar Happy Hour specials can be found at high-end restaurants all over the country.  A good way to discover them is to check your local weekly newspapers (in print and online). And then sometimes you just have to ask:  Union Trust's happy hour specials were not advertised nor were they available at the main bar downstairs. (The "burger frites" special, though, can be ordered at lunchtime throughout the restaurant, located at 717 Chestnut Street).

    For a truly comprehensive look at burgers options in Boston, Chicago, New York City, Philadelphia and San Francisco, check out The Burger Register  from New York Magazine's Grub Street blog.  Bon appetit.

    Photo by Doreen Creede Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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BISTRO MAGIC

    Every neighborhood deserves a perfect French bistro.  Lucky us, we have one just around the corner from our Queen Village home.  Bistrot La Minette has great food and polished yet personable service, of course; but it's the atmosphere that really seduces me. There's no theme park gimmicks, just genuine care and flair.  And, oh, those red velvet banquettes! They make any night sizzle.  Bistrot La Minette, 623 South 6th Street, Philadelphia PA

    Image via www.bistrotlaminette.com
    Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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WE'LL WILE AWAY THE DAY AT AN OUTDOOR CAFÉ

     In January I asked some stylish friends to share their warm and cozy cocktail spots.  This month, with balmy weather teasing us and Paris on our mind, we'll be exploring chic spots across the country at which to wile away a sunny afternoon or spend a sultry evening.  First up, my favorite Philadelphia spot.  Check back for fantastic finds in Denver, Houston, Chicago and more.

    Rouge's luscious wines, crisp cocktails, stellar people-watching, intimate curtain-swathed interior (designed to look like a French hotel lobby from the 1920s), views of verdant Rittenhouse Square--and of course the coveted sidewalk tables--combine to make it a spot where something always sparks.  Whether it's conversation with a crowd, a romantic evening for two or an unexpected just-a-drink-turned-into-night out with the girls (oh yes, I've had all of those!) Rouge makes you feel a bit like a star in your very own French film.

    Rouge, 205 S. 18th Street Philadelphia PA

    Photo by J. Smith for GPTMC via gophilly.com.   Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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SWEET SHOPPING

    If my niece Kelly (or my nieces Cass or Kalen or Caroline) were shopping for a Valentine outfit on a real budget, I'd send her here. Owned by best friends forever Abby and Katie, Smak Parlour bubbles with sweet and sassy goodies.  Mixed in with the original clothing designs are fun dessert plate sets, clever cards, quirky accessories (like my recent find, legwarmer socks) and mundane items (such as a mailbox) transformed with girlie glitter.  An encouraging antidote to chain stores and a candy-pink splash of fun in Philadelphia.

    Smak Parlour | 219 Market Street Philadelphia PA | phone: 215-625-4551
    Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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A VERY PHILLY CHRISTMAS

FLAT LAUREN VISITS PHILADELPHIA

    For Part One of this story see Location, Location, Location.

    "Hi!" said Flat Lauren as she popped out of her envelope. "Phew, I'm so happy to be out of that thing." She gave the envelope a good kick. "It was hot and stuffy and I'm starving!"

    "Oh," I said. Somehow I hadn't imagined that Flat Lauren would be able to ... talk. "Well, we have lots of great places to eat here. Welcome to Philadelphia, by the way." I took a peek inside the envelope. It did look hot and stuffy. But there was a pretty letter inside. "So, I see you've thought of some things you'd like to do."

    Flat Lauren smiled at me sweetly. "Oh yes. And we can do all of them, right?"

    "Sure." I glanced over the letter. "There's great places to shop here. Tons of choices for dinner. Oh, I love movies, too! And--hmm, that's interesting ... an amusement park ... an amusement park in the city...."

    Was it my imagination or did Flat Lauren have a gleam in her eye?

    "Well, let's get started." I tucked Flat Lauren in my purse and off we went to the bookstore up the street. But I soon heard Flat Lauren's stomach growling so I whisked her to the Italian Market, where the guys at DiBruno Brothers fed us samples of food. And more samples. And more samples. (For a flat girl she sure could eat a lot.)
    Although it wasn't one of her requests I felt I had to show my goddaughter some of Philadelphia's famous sites, like Independence Hall and the Liberty Bell.

    And then some not-so-famous ones, like the Singing Fountain, which we danced around for awhile; and the Lucky Fortune Cookie Factory, where we bought a freshly made bag of cookies as big as Flat Lauren.  We wandered into a nearby Asian supermarket and saw so many delicious things we decided to buy some for dinner.


     "Which kind of noodles do you like?" I asked.

    "Mwhartl blrrs thlsh."

    "What?" I looked inside my purse to find Flat Lauren with a mouth full of fortune cookies."Wow, you really like those."

    Flat Lauren swallowed hard. "Oh, yes, they are simply delicious!"

    "Good. Now I have another treat for you. Right around the corner is a lovely park with a carousel and a miniature golf course and a playground. It's sort of like an ..."

    "An amusement park!" Flat Lauren leapt out of my purse and twirled along the grocery shelf. "Let's go!"

    So off we went to play mini-golf amongst replicas of famous Philadelphia landmarks. Flat Lauren beat me easily."Don't feel bad," she consoled me as we strolled home. "Kids play lots more putt-putt than grown-ups."


    That night we cooked a dinner so yummy we completely forgot to take pictures of it. Then, tired from walking all day, we curled up on the sofa and watched a movie.

    The next day Flat Lauren had to go back home. We both felt very sad.

    "Oh, there's so many other fun things to do here," I told her. "Promise me you'll come back to visit? And bring your brother and sister and mommy and daddy."

    "Promise," Flat Lauren replied and hugged me tight.

    Then I packed her into a priority mail box with a new bag of fortune cookies to share with her classmates. I wonder if there will be any left by the time she arrives at school?


    Artwork by Lauren. Photos by Doreen. Extra help from Kevin.
    Source URL: https://thesoap-box.blogspot.com/search/label/philadelphia
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